Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
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France, 1940. In the first days of occupation, beautiful Lucile Angellier is trapped in a stifled existence with her controlling mother-in-law as they both await news of her husband: a prisoner of war. Parisian refugees start to pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers’ own homes. Lucile initially tries to ignore Bruno von Falk, the handsome and refined German officer staying with them. But soon, a powerful love draws them together and leads them into the tragedy of war.
Ryan Harrison, a violin god, superstar and sex symbol does not want to cheat on sexy Lauren Goodhue’s husband with her. Mr. Goodhue is found murdered and Ryan suddenly finds himself being the main suspect. After being sentenced to death he manages to flee while being transferred to his execution site. Now, all the world is after him as he stumbles from one unfortunate incident to the next in order to prove himself innocent – by finding a mysterious one-eyed, one-armed, one-legged man…
Agnes is a woman who has reached her early 40s without ever venturing far from home, family or the tight-knit immigrant community in which she was raised by her widowed father. That begins to change in a quietly dramatic fashion when Agnes receives a jigsaw puzzle as a birthday gift and experiences the heady thrill of not only doing something she enjoys, but being very, very good at it.
Exclamation Mark Question Point is the debut special from Andy Peters. More bootleg than traditional special, Andy recorded only one show, one night at The Virgil in Los Angeles. The special features a bouncy mix of Andy’s dive-in-head-first approach to comedy. With The Virgil’s intimate space as a backdrop, Andy litters the show with playful self-deprecating bits, a healthy dose of “screaming at strangers” and a nonstop stream of riffs.
Now in his fifties, Vagn leads a solitary life and plays football with a group of similarly aged men, some even older. After being left behind at a petrol station by his teammates on their way to a match in Sweden, he encounters a young habitual offender and together they set off in hot pursuit of Vagn’s buddies. A Nordic road movie taking in a whole series of comic, serious and, above all, well-written scenarios.