After the PTA of a conservative high school in Indiana bans same-sex couples from attending the annual prom, a gang of flamboyant Broadway stars try to boost their image by showing up to support two lesbian students.
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A grifter indebted to a New Orleans gangster thinks he can make a killing and win back his money-troubled ex-lover with the help of a bank robbery already set to go down. The reunited lovers team up for the job, but get caught in a whirlwind of danger as the robbery turns deadly.
During WWII, the death camp at Treblinka had an escape, causing the Commandant at a similar camp in Sobibor to vow (actually threaten) that his camp would never experience the same thing. But those who were its captives, the Jewish laborers that had been spared from the ovens, knew that they were on borrowed time and that their only hope was to escape… the only question was how to do it. On October 14, 1943, members of the camp’s underground resistance succeeded in covertly killing eleven German officers and a number of Ukrainian guards. Of the 600 inmates in the camp, roughly 300 escaped, although most were later re-captured and killed. The escape forced the Nazis to close the death camp, dismantling it and planting a forest.
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
Small-time police chief and struggling alcoholic Jesse Stone looks into the murder of a teen-age girl whose body is found floating in a local lake. The case brings the former LAPD cop up against the Boston mob and into the affluent world of a bestselling writer who exploits troubled teens.
Tenth entry in the Carry On series. Able seaman Poop-Decker (Bernard Cribbins) signs up for adventure on the high seas with the wicked Captain Fearless (Kenneth Williams). Those swabbing the decks include Juliet Mills, Charles Hawtrey and Donald Houston. The film was originally to be entitled ´Up the Armada´, but the British Board of Film Censors objected to such a rude title.
At the port of Sète, Mr. Slimani, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father who forces himself to stay close to his family despite the schisms and tensions that are easily sparked off and that financial difficulties make even more intense. He is going through a delicate period in his life and, recently, everything seems to make him feel useless: a failure. He wants to escape from it all and set up his own restaurant. However, it appears to be an unreachable dream given his meager, irregular salary that is not anywhere near enough to supply what he needs to realize his ambition. But he can still dream and talk about it with his family in particular. A family that gradually gives its support to this project, which comes to symbolize the means to a better life. Thanks to its ingeniousness and hard work, this dream soon becomes a reality…or almost…
This Christmas, Thunder Mountain Ski Resort is abuzz when celebrity chef Shane Roarke is named the new head chef. Clara Garrison isn’t as excited and is instead focused on getting resettled after her failed attempt at opening a restaurant in the city. With their paths constantly crossing, will their shared passion for cooking bring them together or will secrets keep them apart?
Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.
Kessler’s lab was created to run drug trials to determine what went wrong with a once popular mood stabilizing drug. Dr. Martin Kessler cloned his own daughter, who died from the drug. Once with ten test subjects, he and Dr Josephine Vanderhill are now left with only a few dying, sick clones, and one healthy placebo, Jenny. Daniel Powell runs the day to day operations and tends to the clones, administering the very drug that is killing them. When Dr. Kessler unexpectedly dies, instead of shutting down the facility, Dr Vanderhill wants to intensify the testing. She targets Jenny, and convinces Daniel to administer the pills in highly concentrated doses, sure to be fatal. Now conflicted, Daniel is determined to stop her and save the clones.