To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She’s dangerous. She’s a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world’s first one-person film (a movie with only one on-screen character) that features a woman.
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Barney, Christmas and the rest of the team comes face-to-face with Conrad Stonebanks, who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.
After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie’s new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.
A desperate doctor locks down South Union Cardiac Hospital to keep the greatest discovery in human history to himself, while a young intern races to save a dying young dancer, his ex-girlfriend, and his best friend, and stop his mentor.
Three teenagers appear to have a lot of fun on the children’s oncology department on the fourth floor of a large hospital. Nick (14) and Iwan (15) both lost a leg as a result of bone cancer. For their friend Olivier (16) an amputation may be the next phase. The fourth of the bunch, Pepijn (15), is so ill and weak that he often stays in his room. Friendship and a deep desire to live keeps the guys mentally balanced. And of course their interest in sexy girls makes them act like any ordinary teenager. They make jokes about their illness. They call each other “sickos”. The sickos cannot walk, but with their wheelchairs they do risky stunts and organise joyrides in the corridors of the hospital. Their friendship changes when Gina (16) arrives. The boys try to seduce her, but Gina is not interested at first, until she realises that her stay in the hospital will be a lot less depressive when she has friends. Sickos is a humorous drama that deals with adolescence and chemotherapy