Assistant TV commercial director Choi Bo-Na is tasked with doing anything and everything at work. Due to overwork her appearance is always a complete mess, she also hasn’t dated in many years.

It’s not easy being a teenager and Mike, a sixteen-year-old, has it espcially hard. He lives in the sticks with his mother, a non-stop nagger, in Faintville, a Canadian timber industry town. He has no father, no friends, not even a favorite meal. Basically, his sole wish is simply to vanish from the face of the earth. One day, Mike writes his own obituary and shoots himself. To his great disappointment he wakes up the in the local hospital. During a routine examination, the doctors discover a plum-sized tumor in his brain. Mike can scarcely believe his luck and keeps the illness to himself to avoid undergoing surgery that would save him. Staring death directly in the eyes, however, changes Mike’s point of view and he re-evaluates his opinion of both enchanting and crazy Miranda. Somebody seems to understand him after all.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Albert Quinn Ingalls wants to be a doctor. But soon he discovers that he is fatally ill. He decides to spend the rest of his life in Walnut Grove. Meanwhile children from school are preparing for their traditional climbing of the mountain.

In the history of aviation, there have been only 14 of them: sole survivors of a commercial aviation disaster. Most have never spoken publicly about the loss, the guilt, the immense pressure of feeling “spared.” Who, after all, could ever truly understand? The answer is only each other. Sole Survivor brings four of them together (George Lamson, Cecilia Cichan, Bahia Bakari and Jim Polehinke) to share their very complex, personal stories for the first time. They revisit the most harrowing moments of their lives in an effort to heal and overcome their most perplexing questions.

Four Weddings And A Funeral is a British comedy about a British Man named Charles and an American Woman named Carrie who go through numerous weddings before they determine if they are right for one another.

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder.

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

An orphaned brontosaurus named Littlefoot sets off in search of the legendary Great Valley. A land of lush vegetation where the dinosaurs can thrive and live in peace. Along the way he meets four other young dinosaurs, each one a different species, and they encounter several obstacles as they learn to work together in order to survive.

When Charlie and her girlfriend Cerina decide to have a baby together, the idea of using Cerina’s ex-boyfriend Josh as the live-in donor turns an easy on-paper idea into a much more challenging event.

A Vietnam veteran, Charles Rane, returns home after years in a POW camp and is treated as a hero. When thugs invade his home to steal the silver coins he received for his service, they mangle his hand and leave him and his family for dead. Rane survives and becomes obsessed with getting revenge. Aided by his loyal friend Johnny Vohden, Rane, now wielding a hook for a hand, sets out on his mission of vengeance.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.