From the Director of I DANIEL BLAKE (Ken Loach) comes a story exploring the issue of hardship in modern-day Britain through a young couple scraping to get by in a casual jobs market. A hard-up delivery driver and his carer wife are pushed to breaking point as they struggle to keep their family afloat in a world of zero-hour contracts and gig work.
You May Also Like
Ricky is a defiant young city kid who finds himself on the run with his cantankerous foster uncle in the wild New Zealand bush. A national manhunt ensues, and the two are forced to put aside their differences and work together to survive.
When Singapore surrendered to the Japanese in 1942 the Allied POWs, mostly British but including a few Americans, were incarcerated in Changi prison. This was a POW detention center like no other. There were no walls or barbed-wire fences for the simple reason that there was no place for the prisoners to escape to. Included among the prisoners is the American Cpl. King, a wheeler dealer who has managed to established a pretty good life for himself in the camp. While most of the prisoners are near starvation and have uniforms that are in tatters, King eats well and and has crisp clean clothes to wear every day. His nemesis is Lt. Robin Grey, the camp Provost who attempts to keep good order and discipline. He knows that King is breaking camp rules by bartering with the Japanese but can’t quite get the evidence he needs to stop him. King soon forms a friendship with Lt. Peter Marlowe an upper class British officer who is fascinated with King’s élan and no rules approach to life…
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
In the year 1215, the rebel barons of England have forced their despised King John to put his royal seal on the Magna Carta, a seminal document that upheld the rights of free men. Yet within months of pledging himself to the great charter, the King reneged on his word and assembled a mercenary army on the south coast of England with the intention of bringing the barons and the country back under his tyrannical rule. Barring his way stood the mighty Rochester castle, a place that would become the symbol of the rebel’s momentous struggle for justice and freedom.