Set in the year 2029 after a decade long pandemic kills over four billion people worldwide, SARS-29 is a fictional documentary that explores how the world has changed through the stories of thirty survivors.
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In the near future, oil reserves are nearly depleted and Europe is connected by series of underground tunnels. While navigating these tunnels, Roger hears voices, one in particular. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control – mind and body.
An inventive and resourceful cocaine smuggler defends his trade against violent rival traffickers, a monstrous and vengeful killer, and the DEA agents who want to lock him up – all while falling for a stunningly beautiful woman with a taste for danger.
Ullaas is a cunning guy who can go to any extent for money. One fine day, he cheats a priest and redirects an NRI match which is supposed to go to a known person in his village. He manages everything and finally ties the knot with Laya. The twist in the tale arises when Ullaas comes to know that the NRI girl he married is a complete alcoholic. Rest of the story is as to how Sunil manages to get his problematic wife back on track.
Prince Akeem Joffer is set to become King of Zamunda when he discovers he has a son he never knew about in America – a street savvy Queens native named Lavelle. Honoring his royal father’s dying wish to groom this son as the crown prince, Akeem and Semmi set off to America once again.
Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst.
Reverend David Poe and his psychiatrist wife trade hectic New York life for an idyllic rural farmhouse; the perfect place for 10 year old twins Jack & Emily to run, play and imagine. Documenting this lifestyle change, David decides to film every holiday and special family event. To the Poe’s horror their home movies reveal an increasing malice and evil within their children and by Valentines Day, the children’s sadism has turned to a blood lust for human prey.
Nick Offerman and Megan Mullally are yanking the britches right off of their marriage, exposing the salacious details of their fiery union for all the world to enjoy, featuring songs, funny talking, heavy ribaldry, light petting and an astonishing final act of completion.