Aki Omoshaybi’s earnest debut explores the love between two people who work hard to keep their romance on track while struggling to manage personal hardship.
You May Also Like
Dramatisation of the Cuban Missile Crisis, the nuclear standoff with the USSR sparked by the discovery by the Americans of missle bases established on the Soviet allied island of Cuba. Shown from the perspective of the US President, John F Kennedy, his staff and advisors.
Emma is an attractive girl in her 20s who has been blind for 20 years. A new type of eye operation partially restores her sight, but she is having problems: sometimes she doesn’t “remember” what she’s seen until later. One night she is awakened by a commotion upstairs. Peering out of her door, she sees a shadowy figure descending the stairs. Convinced that her neighbour has been murdered she approaches the police, only to find that she is unsure if it was just her new eyes playing tricks on her.
Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country re-enacting Darla’s colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.
Set at the end of the Civil War, widowed mother of 3 Belle Gatlin Barlowe faces uncertainty as she attempts to defend her family’s land by any means necessary. When the corrupt bank that runs their town pushes Belle into becoming an outlaw, the stakes become personal, setting off a chain of events that force her to question whether it’s better to be good or to survive.
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish emigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage and murder. A detective, also an Irish emigrant, is hired to infiltrate the group and report on its members. But on which side do his sympathies lie?
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière’s theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.