Nearing the end of her treatment for breast cancer, Lily focuses on life with newfound clarity, reevaluating her relationship with an older man and her feelings about her long-absent father.
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Alice is a sailor. While her partner Félix waits for her on land, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that her predecessor has just died, but also that the skipper is none other than the first great love of her life. Alice finds a notebook in her cabin, apparently that of the former mechanic, and on reading its contents – accounts of mechanical problems, sexual conquests and lovelorn emotions – finds, oddly, that they mirror her own concerns. As they make stops at various ports, dealing with life aboard alongside an all-male crew and the swell and pitch of her romantic feelings, the young woman tries to stay on course.
What happens when a generation’s ultimate anti-authoritarians — punk rockers — become society’s ultimate authorities — dad’s? With a large chorus of Punk Rock’s leading men — Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band’s anthem, ‘Fuck Authority’, to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.
Seeking a brighter future in megacity Manila, Oscar Ramirez and his family flee their impoverished life in the rice fields of the northern Philippines. But the sweltering capital’s bustling intensity quickly overwhelms them, and they fall prey to the rampant manipulations of its hardened locals. Oscar catches a lucky break when he’s offered steady work for an armored truck company and gregarious senior officer Ong takes him under his wing. Soon, though, the reality of his work’s mortality rate and the murky motives of his new partner force Oscar to confront the perils he faces in his new job and life.
Writer-director Randall Miller’s heart-achingly sweet drama centers on the unsatisfying personal life of protagonist Frank Keane (Robert Carlyle), a sensitive baker who remains deeply despondent over his late wife’s untimely death. When Frank helps a stranger (John Goodman) who’s sidelined by a fatal accident on his way to a fateful reunion, he decides to show up for the rendezvous in the man’s place. In the process, he finds hope and redemption.
With his gangster boss on trial for murder, a mob thug known as “the Teacher” tells Annie Laird she must talk her fellow jurors into a not-guilty verdict, implying that he’ll kill her son Oliver if she fails. She manages to do this, but, when it becomes clear that the mobsters might want to silence her for good, she sends Oliver abroad and tries to gather evidence of the plot against her, setting up a final showdown.
Kat Connors is 17 years old when her perfect homemaker mother, Eve, disappears. Having lived for so long in an emotionally repressed household, she barely registers her mother’s absence and certainly doesn’t blame her doormat of a father, Brock, for the loss. But as time passes, Kat begins to come to grips with how deeply Eve’s disappearance has affected her. Returning home on a break from college, she finds herself confronted with the truth about her mother’s departure, and her own denial about the events surrounding it…
Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.