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Five teenagers frantically run for refuge down into a basement. They barricade themselves inside as they are being hunted down by an insane killer upstairs. The killer’s motive is unknown and the teenagers question why this is happening to them. With the killer holding vigil at the basement door, the teenagers soon realize they’re trapped, as the only way out is the very same way they got in. As events unfold, questions of their own sanity come to light and reality becomes distorted.
Looking for a successor to his leadership of a Lao Qiang shaddow puppet theatre places Shao in a dilemma; only sons with blood ties can become apprentices.
After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who’s also David’s best friend. When she travels to Copenhagen to meet Carl-Adam, David takes the same train as she does, making it look coincidental. Spending time together remembering their past and talking about their future, they come to understand each other again, which leads to a reconciliation.
A Blanc-Biehn production centered around the idea of a governmentally designed drug created to help correct or strategically alter perceptions gathered during times of trauma or stress. Slated as being a substance that may help solve issues with everything from racial tensions, PTSD and geopolitic battles, first a focused study is needed to see how people respond to treatment and what dosages might be needed. Four couples are chosen to test this drug, and soon find their memories and sanity challenged.
When unstable Connie is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Niki, forcing her son, Bill, to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Niki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister.
A recent college graduate goes to Paris after breaking up with his girlfriend of five years. His life should be open-ended and full of promise, but he can’t shake his feelings of loss. Being a stranger in a strange land only aggravates his situation. When he falls in love with a young mysterious prostitute, a fateful journey begins, though we soon learn that Simon is the one with deeper secrets.
Penelope Keeling, a sixty-four-year-old daughter of a famous artist, reflects on her life, and the fate and choices that defined it, when she arrives in the Mediterranean to stay with her headstrong daughter. Shifting through time, and falling into place like the pieces of a jigsaw, the truth of Penelope’s rich, heartbreaking and surprising life unfolds.
The film is about the difficulty of maintaining a solid relationship in modern times. Eight married college friends plus one other non-friend (all of whom have achieved middle to upper class economic status) go to Colorado for their annual week-long reunion, but the mood shifts when one couple’s infidelity comes to light. Secrets are revealed and each couple begins to question their own marriage
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.