La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.

Frank (Danny Fendley) spent five years in prison for refusing to rat on his boss, Xavier (Joe Estevez). While he was locked up, Xavier inexplicably had Frank’s girlfriend killed and took his cash; now that he’s out, Frank wants payback. He finds his former employer, but at the same time realizes Xavier’s about to do the same thing to another innocent victim. Can Frank exact revenge and save the girl from Xavier’s clutches before it’s too late?

After botching the capture of a notorious serial killer, idiosyncratic detective Michael Burrows loses his job with the San Francisco Police. He becomes an investigator for an insurance company and joins forces with a cynical field agent to probe suspicious and unusual deaths.

After being punished for retreat from combat, Ranger David Martel is given command of the Liandra, a haunted 20-year old Minbari fighting ship. He’s escorting ambassadors to a secret archaeological site, the oldest city on record and a clue to a dangerous ancient race.

When an alien fugitive crash lands into a local puppy farm and begins turning people into machines that feed on puppy flesh, Dylan and her BFF Eddie have to decide whether or not to take on the SheBorg menace, and save the world.

Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he’s a conservative voter, she has to deal with a new boss, a strange contractor and the worst vacation of her life.

As members of the feuding Capulet and Montague families, Romeo and Juliet should be sworn enemies, but they fall deeply in love and marry in secret. That very day, disastrous circumstances lead Romeo to fight and kill Juliet’s cousin Tybalt, setting off a chain of events that culminate in tragedy.

Jake and Sunti go to meet Mongkol, the leader of the Abu Karaf. Mongkol confirms that ever since the terrorist attacks of September 11, 2001, Jantapan has worked to corner the narcotics and arms markets. Jake must engage in a battle that will put both his physical and spiritual powers to the ultimate test.

Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

An unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

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Johnny Truelove likes to see himself as tough. He’s the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don’t go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his ‘gang’ kidnap Jake’s 15 year old brother and holds him hostage. Problem now is what to do with ‘stolen boy?’