In a desolate war zone where screams of the innocent echo, on the very line between disaster and valor, 7 Maroon Berets will dance with death.
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The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
In the continuation of Popoy and Basha’s love story from “One More Chance,” we find the couple walking down the aisle and vowing to love each other “forever and ever.” “A Second Chance” explores realities and intricacies and Popoy and Basha’s married life. We find Popoy as a failed achiever, struggling to keep his business and self-esteem intact, while Basha has given up so much in her life to keep their marriage together.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
Ryûhei Sasaki (Teruyuki Kagawa) is keeping a secret from his wife, Megumi (Kyôko Koizumi), and his two teenage sons. Even though he leaves the house every day, he’s not really going to work. He’s going to an employment office. He recently lost his job due to outsourcing, but is determined to find another position, all while supporting an old friend who is also out of work. But when Megumi accidentally finds out Ryûhei’s secret and doesn’t tell him, her trust in him, and their marriage, suffers.
Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that’s fine with her. But, when Peter’s father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle – and Peter isn’t all that thrilled with the arrangement, either.