Burn the Stage: The Movie is the first movie from BTS, going behind-the-scenes of the BTS WINGS TOUR to reveal the full story of the band’s meteoric rise to fame. This unmissable cinema event provides an intimate look at what happens when the most successful global boyband of all time breaks down barriers and invades the mainstream music scene. Exclusive tour footage and brand-new one-on-one interviews with BTS members give fans an unprecedented glimpse into their lives and an opportunity for everyone to celebrate together in movie theaters worldwide.
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James Rasin’s documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling’s movies.
Moving between two extremes – the intimate verite drama of the Miss India pageant’s rigorous beauty “bootcamp” and the intense regime of a militant Hindu fundamentalist camp for young girls. The World Before Her delivers a provocative portrait of India and its current cultural conflicts during a key transitional era in the country’s modern history.
Earthquakes, tsunamis, volcanic eruptions, and extreme weather. Has Earth always been this way? Featuring footage of top geologic hot spots on every continent, the film traces the scientifically-based story of the 4.5 billion-year-old Earth, from the core to the crust and up into the atmosphere.
THE GREAT AUSTRALIAN FLY looks at how a national nuisance has shaped Australia and its people, confounding our scientists, influencing our lifestyle and defining the way we speak. But is its value misunderstood? The one-hour documentary explores how this much-maligned spoiler of the Australian summer is in fact a crime solver, healer, pollinator and street sweeper. We’d miss them if they were gone, yet we put huge amounts of energy into wiping them out. Is it time to call a truce? Directed by Tosca Looby and produced by Sally Ingleton, the amusing and intriguing film pays homage to a much-maligned invertebrate and the influence it has had on our world.
The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.
The Billion Dollar Car: Is the Electric Car going to change the future of urban mobility? For years companies have been manufacturing and selling electric and hybrid cars. But is there a future for the eco-friendly automobile? This documentary follows the development of electric cars including the BMW i3.
In hidden basements, bedrooms and bars across London, “Chemsex” is a documentary that exposes frankly and intimately a dark side to modern gay life. Traversing an underworld of intravenous drug use and weekend-long sex parties, “Chemsex” tells the story of several men struggling to make it out of ‘the scene’ alive – and one health worker who has made it his mission to save them. While society looks the other way, this powerful and unflinching film uncovers a group of men battling with HIV, drug addiction and finding acceptance in a changing world.
This documentary recounts the dysfunctional state of the death penalty in the state of California by revisiting the crimes, arrest, trials and appeals of Lawrence Bittaker, a convicted serial killer who has been on death row at San Quentin since 1981.
Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?