Brock: Over the Top is a feature length documentary that not only chronicles the extraordinary life of Australia’s greatest racing car driver, Peter Brock, but peels away the surface to reveal the profoundly human story behind the legend. This film is a cinematic, thrilling yet intimately personal portrait of a life lived on the racing track and in the public eye. Using a treasure trove of rare archival material coupled with candid interviews with the key characters in Peter Brock’s life including his family, his partners, and closest colleagues, this film tells the epic story of Brock’s early obsession with cars, his hard won ascension to the top, his incredible record-breaking victories at Bathurst, his various professional and personal controversies, and his ultimate, tragic death on the race track.
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The story of the evolution of a boy from Nebraska who became one of the most respected men in the world, and the heroes who helped guide him along the way. By allowing access to his life and never-before-released home videos, Buffett offers a glimpse into his unique mind to help us understand what is truly important when money no longer has meaning.
The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
Four performers in the neo-burlesque scene in New York City discover a new identity and belonging in a world of bawdy comedy and striptease. However, they find that this community does not insulate from the harsh reality of life in the city.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
Documentary examining the 2014 shooting of 17-year-old Laquan McDonald by Chicago police officer Jason Van Dyke and the cover-up that ensued.
The first feature film from accomplished short filmmaker Kate Shenton, On Tender Hooks is a documentary film delving into the world of human suspension and the people involved. Kate spends a year following a different people and group of suspenders. Every Sunday they pierce themselves with hooks and hang in mid-air from rigs in a display that challenges the perceptions and squeamishness of even the most hardened. The film is a fly on the wall documentary showing how the ordinary human body can achieve extraordinary things. Beginning with groups in London, and then following events in Rico, Croatia and Oslo, Norway, the film depicts a wide variety of experience and opinions, and delves thoughtfully into a deeply misunderstood practice On Tender Hooks was a self-funded project filmed and edited by director Kate Shenton. Completed in 2012 it is an example of independent film-making at its purest.
Yes, Maria Sharapova is one of the greatest to ever play the game of tennis. Yes, she is beautiful, poised and articulate. Yes, her marketability among female athletes is unrivaled. Yes, she was embroiled in a controversy that resulted in suspension. Yet, despite all of this, the real Maria Sharapova is widely unknown. Told in her own words, with a raw intimacy never before revealed, the_point. spans the most pivotal year in Maria Sharapova’s life.
The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?