Humouristic reconstruction of the 1995 scandal when two British lads were accused of having faked a documentary from the Roswell incident in 1947.
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“Party Crashers” chronicles the amusing encounter between Marco Polo (Marcelo Adnet), a Copacabana’s trickster, and Beto (Eduardo Sterblitch), a boy passionate and somewhat pixilated, on the New Year’s Eve in Rio. Together they crashes at parties and create a lot of confusion in search of the beautiful Laura.
Eliseo is ugly, lame and single. He hasn’t met the woman of his life and has never known love. Nati is ugly, missing a breast and separated. She found the man of her life but, even so, has never experienced true love. Eliseo thinks that the worst of his life is still to come. Nati thinks that the best of her life is still to come. The death of Eliseo’s mother reunites them twenty years on in a last chance to find happiness and love. But what happens when the woman of your life is married to your brother
Noah, is not your typical entertain-the-kids-no-matter-how-boring-it-is kind of sitter. He’s reluctant to take a sitting gig; he’d rather, well, be doing anything else, especially if it involves slacking. When Noah is watching the neighbor’s kid he gets a booty call from his girlfriend in the city. To hook up with her, Noah takes to the streets, but his urban adventure spins out of control as he finds himself on the run from a maniacal drug lord.
Scientists make a horrible discovery: The “Big One” is coming in two days, with it, California will sink to the ocean. Their only hope is to rupture a volcano that will displace the earthquake’s energy and build a new crust on the surface. But as fore-shocks turn California into chaos, it’s a race against time the scientists might not win.
Charlton Heston stars as Renaissance artist Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), who begrudgingly paints the Sistine Chapel for imperious Pope Julius II in this epic adaptation of Irvine Stone’s novel directed by Carol Reed. While the novel covers Michelangelo’s life from birth to death, the film focuses on the battle of wills between the perfectionist artist and the impatient Pope who commissions (and eventually commands) him to paint the famed chapel.