At the end of a rager, a hip-hop artist, actress, and child star wind up in a room with a corpse, each suspecting the others of being the killer.
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Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he’s making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making. She sneaks into Mark’s apartment to watch it and is horrified by what she sees — especially when Mark catches her.
A young woman bound in the front seat of a parked car watches helpless as her captor methodically digs a grave in the desert ground. The bloody lifeless body of her boyfriend lies framed in the rear-view mirror, a fate she will fight at all costs to avoid for herself. But this is only the beginning of a brutal struggle where survival could be worse than death.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
Julie Taylor has a problem how to cope with a pending divorce, find meaningful employment, live with her mother’s constant advice and raise her two children. In their small rural town it isn’t so much what people say as what they believe. And since the death of her father her no-holds-barred mother has been leaning more toward the belief that angels and heaven is right here with them. Unseen but as real as this world.
In the tradition of Stephen King’s Stand by Me, Chiller’s original film Ghoul – based on the celebrated novel by author Brian Keene — tells the story of three damaged children who set out to find who, or what, is behind a rash of local disapperances. Staring Modern Family‘s Nolan Gould, the film explores the darkness that hides behind small town life. It is the summer of 1984 when a teenage couple goes missing among the gravestones of the local cemetery. Twelve-year-old Timmy and his best friends, Barry and Doug, have grown up hearing stories about a sinister Ghoul that haunts the cemetery. Eventually, they begin to wonder if the horrific legend might actually be real. Timmy and his friends are forced to put their friendship to the ultimate test when they dig up long-buried secrets, facing their personal demons and the one hiding underground.
A collection of intersecting short stories set in early 1980s Los Angeles, depicts a week in the lives of an assortment of socially alienated, mainly well-off characters who numb their sense of emptiness with casual sex, violence, and drugs.
Return to the forest and join Bambi as he reunites with his father, The Great Prince, who must now raise the young fawn on his own. But in the adventure of a lifetime, the proud parent discovers there is much he can learn from his spirited young son.
Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a secret: she’s a fugitive from justice – accused of her mother-in-law’s death.