Yoram, a 50-year-old veterinarian living in Tel-Aviv is forced to re-examine his relationship with his adolescent daughter Roni, after she wishes to end her life. He decides to take her on a journey to visit her mother’s family, a process of self and mutual discovery in a primordial desert land enveloping the Dead Sea.
The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel’s most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.
Back to Berlin is the first biker flick-meets-holocaust feature documentary. Eleven motor bikers have a mission to take the Maccabiah torch from Israel to the site of the infamous 1936 Berlin Olympics, for the first Jewish Olympic Games on German soil. They will retrace the heroic journeys of the original 1930s’ Maccabiah riders and discover how they or their families survived the Holocaust.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai’s film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
“On The Map” tells the story of ’77 team, the one that brought the first European Cup to Israel and became “The Team of the Nation” Still demoralized after the 1973 Yom Kippur War, Israel was hungry for a collective uplifting event. “On The Map”, a fast-moving, emotional and awe-inspiring documentary, recounts the story of how one Tel Aviv team no one thought could win toppled the four-time defending European Champions and put Israel firmly on the map. Featuring interviews with the Jewish American athletes who made history, “On the Map” combines the pulsepounding action of a high-stakes game with an incendiary political situation at the height of the Cold War to deliver a film that honors Israeli heroes, mesmerizes fans of the game and captures the spirit of a nation triumphant and victorious against all odds.
A beautifully affecting love story that has rightly earned comparisons to Brokeback Mountain, Haim Tabakman’s potent yet impeccably restrained tale has won awards and accolades at film festivals the world over. Aaron, a pillar in Jerusalem’s Orthodox community is respected by friends and family. However, when he hires handsome runaway student Ezri to assist with his business, sexual tensions bristle and the pair cautiously embark on a love affair. Meanwhile, a neighbouring shopkeeper persists in seeing a man of her own choosing, even though she’s been promised by her father to another. As forbidden truths come to the fore, these lovers are forced to either confront or relent in the face of a centuries-old religious community, with startling results.
More than two decades after catapulting to stardom with The Princess Bride, Robin Wright decides to take her final job: preserving her likeness for a future Hollywood. Through a deal brokered by her loyal, longtime agent and the head of Miramount Studios, her digital doppelganger will be controlled by the studio, and will star in any film they want, with no restrictions. In return, she receives healthy compensation so she can care for her ailing son. Twenty years later, under the creative vision of the studio’s head animator, Wright’s double rises to immortal stardom. With her contract expiring, she is invited to speak at Miramount’s “Futurological Congress”. However, a group of terrorists plot an attack on the convention.
A 707 aircraft jetliner on its way from Athens to Rome and then to New York City is hijacked by Lebanese terrorists. The terrorists demand that the pilot take them to Beirut. What the terrorists don’t realize is that an elite team of commandoes led by Major McCoy (Norris) and by Colonel Alexander (Marvin) has been called into service to eliminate all terrorists on the jetliner.
Rachel Singer is a former Mossad agent who tried to capture a notorious Nazi war criminal – the Surgeon of Birkenau – in a secret Israeli mission that ended with his death on the streets of East Berlin. Now, 30 years later, a man claiming to be the doctor has surfaced, and Rachel must return to Eastern Europe to uncover the truth. Overwhelmed by haunting memories of her younger self and her two fellow agents, the still-celebrated heroine must relive the trauma of those events and confront the debt she has incurred.
The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the rest of the country and the turmoil it’s going through. The movie looks at young people’s lives in Tel Aviv through the POVs of gays and straights, Jews and Arabs, men and women.
Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn’t like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti’s mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti’s refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.
While her mother is away from home, 12-year-old Adar’s role-playing games with her stepfather move into dangerous territory. Seeking an escape, Adar finds Alan, an ethereal boy that accompanies her on a dark journey between reality and fantasy.
After a massive earthquake destroys Los Angeles, a new order is formed. But disagreement among the ranks leads to more war and disruption, and The Last Patrol must bring order if there’s to be any hope for the future.
When Doug’s father, an Air Force Pilot, is shot down by MiGs belonging to a radical Middle Eastern state, no one seems able to get him out. Doug finds Chappy, an Air Force Colonel who is intrigued by the idea of sending in two fighters piloted by himself and Doug to rescue Doug’s father after bombing the MiG base.
This real-life thriller tells the story of one of Israel’s prized intelligence sources, recruited to spy on his own people for more than a decade. Focusing on the complex relationship with his handler, The Green Prince is a gripping account of terror, betrayal, and unthinkable choices, along with a friendship that defies all boundaries.
Taking all that was great from the first installment, ABCs OF DEATH 2 aims to be a wilder, leaner, faster paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.
Much awarded animated documentary, in which director and Israeli army veteran Ari Folman interviews friends and former soldiers about their memories of the 1982 Lebanon war and especially the Sabra and Shatila massacre in Beirut. The usage on animation enabled Folman to illustrate their personal memories and dreams.
A series of brutal murders puts the lives of three men on a collision course: The father of the latest victim now out for revenge, a vigilante police detective operating outside the boundaries of law, and the main suspect in the killings – a religious studies teacher arrested and released due to a police blunder.
A group of intrepid explorers go on a journey of discovery and excitement as they climb and live atop a 17,000ft mountain in Eastern Turkey to conduct a scientific expedition to determine the final resting place of Noah’s Ark. Finding Noah is more than a quest for answers, it is a testament of the human spirit, where belief and the need for exploration transcend risk and limitations.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?